Flatbush-Ditmas Park

I live in Brooklyn.  Ditmas Park, West Flatbush (or Midwood; more on that below), Brooklyn, to be more exact.  I’ve been in the greater NYC for over 8 years and have lived in Greenwich Village (in Manhattan), Williamsburg (Brooklyn), Greenpoint (Brooklyn), Chelsea (Manhattan), Middle Village (Queens), Jersey City (New Jersey), and now, for the past 2 years or so, Ditmas Park, a neighborhood noted for its high concentration of Victorian houses and towering London Plane trees (as I’ve mentioned on this blog before). A  New York Times article called it a “bustling area with a touch of country,” and indeed as I walk around looking at big houses with high turrets, wide porches with porch swings, elms, willows, magnolias, cherry trees, rhododendrons, and giant bushes-I-should-know-the-name-of-but-don’t which explode in the Spring into all kinds of bright colors, I can fool myself into thinking I’m not only back in my native North Carolina, but back in North Carolina 100 years ago.  I half-expect my grandmother to walk out of one of these front doors clutching a banjo on her way to a church dance. It’s that quaint and beautiful. But then I reach one of the bustling streets – Coney Island Ave or Ocean Parkway, for example, and I flash-forward to a world my grandmother would never have recognized, and which I barely recognize myself.  People from all different parts of the world bustle by me as if I don’t exist. I’m a stone they stream around on their way to somewhere else. There are multiple churches, synagogues, and mosques, and signs in Russian, Hebrew, Korean, Chinese, Spanish, Greek, Arabic, and Urdu.  The street itself is a deadly plain full of roaring cars blasting hip-hop or merengue or the latest pop music, which rush by deafeningly, then fade.  If you push the “walk” button to cross the street, you’d better be ready to run, because there is barely time to get across before the light changes and 4 lanes of traffic lurch forward.  I live less than 2 blocks from the BMT Brighton line of the NYC Subway. Since my windows are usually open, I can hear the faint rush of the B and Q trains clacking up down the tracks intermittently, all day and all night.

I like to go walking at night when things are a little less hectic.  This is my time to soak it all in, to explore.  And to eat. My go-to deli, the whimsically-named “Dream,” is owned by stone-faced Russians who either can’t or choose not to speak English or smile. I point to what I want and they dish it up stoically. Maybe a mass of soft pale bologna that tastes a lot better than it looks, and a bright purple cabbage-and walnut salad.  My favorite sit-down restaurant is a Pakistani place open 24 hours.  There, men in robes and taqiyahs crowd around a table and talk animatedly while a flat screened television above them plays pop music videos featuring young people doing elaborately choreographed dances in bright costumes. I stand in front of the hot pans.  What do I want?  I point again.  A little bit of this, a little bit of that. Curried chicken or goat, A dozen different kinds of spicy lentils, nan.  What do you recommend? I ask the man behind the counter. Please, sit, I make a plate, he says.   I go and read my book, trying not to be distracted by the talking men and the music videos, and he brings me a styrofoam plate full of steaming delicious dishes, and a pewter picture of water.  There’s also a salad of ice berg lettuce and chickpeas, which I don’t like because there’s too much dressing on it.  Sometimes they give me a little dessert on the way out the door.

When I first moved here, I got off the subway and asked an old-timer where we were.  “Flatbush,” he said.  I asked a younger person and he said “Ditmas Park.”  Still others said “Midwood.”  A realty company has the area listed as “Fiske Terrace.”   Google maps apparently thinks Flatbush and Ditmas Park are the same thing, and in fact uses the cumbersome designation “Flatbush-Ditmas Park.” If you do a Google Search for “Midwood or Flatbush” you can find different people calling the same neighborhoods different things for different reasons. There’s a lot of history here. Ebbets Field, where the Dodgers used to play, was close by (it was razed and replaced Apartment buildings). Edward Murrow was from here, and Mel Blanc used to say Bugs Bunny had a Flatbush accent (but I’m a little skeptical of this as Blanc was from San Francisco. Could he really distinguish the different accents of the different NY boroughs?), and indeed you might find an old-timer around who says “Dese” and “dose” and sounds like he’d be at home in a Jimmy Cagney gangster flick, but there aren’t too many of those accents to be heard day to day. Philip J. Fry of “Futurama” fame is from here (one of the writers on the show did grow up here and wrote his old neighborhood into the show). My landlady has been here for decades and has 4 sons. They all have dark curly hair, and occasionally an old timer out walking his dog will squint at me and say “now which one are you?” and I’ll smile and say “None of them. I’m Jason, I just rent a room.” “Ahh you fooled me,” the old-timer will say. “I thought you were Dimitri.” The sons tell of a time growing up in the 70s and 80s back when crime was high and it wasn’t as safe to be here. They speak of it with a certain nostalgia and pride. “You shoulda been here in the old days, back when shit was real,” they’ll say, drawing on a cigarette with a far away look in their eyes. This is common with my friends who grew up here. They exhibit a certain pride, an authority rooted in experience and mystique. They knew NYC when it was seedier, grittier, realer. Back before people like me moved in from other places. On the other hand, New York is of course is the story of people who moved here from other places. Some of them stay for awhile and settle in, most of them move on.

I woke up early and read Christian Wiman

Today I woke up at 5:25, and in an effort to resist going back to bed, grabbed a tumbler of coffee leftover from last night and quickly swigged it down.  Boom.  I was awake, at least for the moment.  Once roused, I read a couple of essays from Christian Wiman’s “Ambition and Survival: Becoming a Poet.”  Wiman, a poet and former editor of “Poetry” magazine had been on my radar ever since my former college suitemate-turned Brooklyn neighbor Jay lent me his copy of “My Bright Abyss,” Wiman’s  memoir of moving from a resigned doubt back to belief in his Christian faith. I found the prose dense and was only able to get through a couple of pages at a time, so I stopped reading. However, my interest in Wiman was re-kindled when I attended a reading he gave at the Geestdrift festival in Utrecht this past October, where I also performed. (“Geestdrift is means “Enthusiasm” in English, but that misses the play on words in Dutch, which is about the Spirit moving.) At the reading, Wiman discussed some of his own poems and some by others. I liked the way he came alive while talking about the poets he loved. It seemed to show what made him such a good editor at “Poetry.” I felt some doors of creativity and freedom opening in me.  I later wrote to Jay: “I had expected a weak hipster-y kind of guy but he [Wiman] projected strength and energy. He’d look right at home on on a farm or commanding a marine platoon or one of those oil riggers or whatever they call them. [I meant “oil rig.”  Wiman is originally from Texas.]  I liked him quite a bit.” So I picked up “Ambition and Survival” and am thoroughly enjoying it. I’ll return to “My Bright Abyss” eventually.

Here’s a picture of Christian Wiman at the Geestdrift Festival in October of 2016. (held in the beautiful old Janskerk). Photo by Daniel Roozing.


Me. Photo by Jaap van Heusden


Geestdrift program.

Link

2017.

2017. It’s here.  “I can’t believe it’s 2017,” I’ve said to .. pretty much everyone, and almost everyone has concurred. No one has said, “It seems right and good that it’s 2017. Here it is, right on time.” 2017 seems pretty close to being a year in a Sci-Fi film in which something momentous and possibly devastating occurs. The older I get, the busier I get, and the faster the years fly by.  I guess that’s something an old person would say. I should watch that, ’cause I’m not old yet, though sometimes I feel like it.

Anyway, Happy New Year.  For last New Year’s Eve — that is, one year ago,  I went to the Hamptons with a group of people, most of whom I did not know. They were friends of my friend Sean’s new girlfriend Rachel (new at the time; they’re married now), and Sean invited me along so that he’d know somebody besides his girlfriend. It was a fun time. We ate a lot, played games, journalled (we were all Christians; Christians like to journal) and did the polar plunge — that is, we jumped into the freezing cold Atlantic with a couple of hundred locals. After we got home and warmed up we had a dance party and then watched the ball drop on Ryan Seacrest’s New Year’s Rockin’ Eve. That was the weekend I developed an appreciation for Taylor Swift.

Usually I do want to see friends on New Years, and I want to stay up past midnight to make noise and celebrate. But this year, for the first time in a long time, I felt no inclination to be with people on New Year’s Eve, or to stay awake until midnight. I felt like spending a quiet evening alone and that’s what I did.   I was in the mood for some good old cheesy-but-not-terrible Sci-Fi  and searched this list of top 100 Sci-Fi films until I found  the 1956 classic “Forbidden Planet,” which fit the bill perfectly. It features a deadly serious Leslie Nielsen before he realized his true calling as the straight man in a dozen or so 80’s spy and cop spoofs. (I’ve also seen a more earnest Nielsen in a Columbo or two).

I haven’t posted here in the past two years, and I’m hoping to post more this year. I’ve written before about and marveled at how Seth Godin blogs every day.  How does he have the time?  How does he resist the urge to edit everything to death?  Well, I recently read an interview where he said something like, “If you have time to watch TV every day, then you have time to blog every day.”  And while I don’t watch TV every day, I take his point.  I certainly can take the time to post *something* each day, even if it’s not perfect or even that coherent.

So I’m going to try to post one thing each day in January, even if it’s just a photo (I take a picture of something almost every day).

(not sure why these photos are so small.  I’ll try to fix that tomorrow).

Here’s a picture I took yesterday just about dusk, of a lamp post emerging from a nest of London Plane tree roots.

According to this article, 15% of all NYC street trees are London Planes. I wouldn’t be surprised if the percentage is higher in Brooklyn. My neighborhood (Ditmas Park, sometimes called West Flatbush or Midwood) is full of them.

There are London Planes in this pic of my street from the first big snow we had in January of last year.

The New York City Department of Parks and Recreation logo features a London Plane tree leaf. Here’s a good example from sign at Coney Island. I think they were repairing the boardwalk.

Well, that’s all for tonight. If you’re reading this, thanks, and See you soon, I hope.

 

“Praise to the Lord, the Almighty”

I have a vision for a hymns record, in which I record a bunch of hymns with some of the kick-ass musicians I’ve had the pleasure of working with in my capacity as music director (worship leader?  I never know what to call myself.  I prefer “music director” cause it sounds less Chris Tomlin-y) at Dwell Church.  My elevator pitch is:  “Fanny Crosby meets Bob Dylan and the Band in West Saugerties.”  Until that record happens (and in preparation), I’m going to record stuff on my iPhone and put it on Soundcloud.

The latest one I did is “Praise to the Lord the Almighty,” with vocals, acoustic guitar, and harmonica.

It’s of one of my favorite hymns, an English version of Joachim Neander’s German chorale “Lobe den Herren, den mächtigen König der Ehren,” published in 1680. The music was probably based on an old folk tune. The text paraphrases Psalm 103 and Psalm 150. (source: Wikipedia).

A Dictionary of Hymnology” lists at least 13 English translations of the text, but the only one I’ve ever heard is the translation by Catherine Winkworth, published in 1863. Apparently Ms. Winkworth inserted a slightly more Victorian ethos into her text (referencing “health” and “work,” where the original author apparently didn’t, and removing his exhortation to awaken the psaltery and harp). Still, she was faithful to the psalms and I think she did a pretty good job. (even though her line “Gladly for aye we adore him” is hard to sing without sounding like a pirate. somebody changed it to “Gladly fore’er we adore him” which isn’t better).

I’ll post her full translation below. She had a couple of dark stanzas (5 and 6) which I only discovered today (after making this recording), having never heard them in 37+ years of singing this hymn. Somehow these stanzas seem richer and more fitting than the others. Given today’s world of persistent unrest and unbridled violence, from Ferguson to Fallujah, I think they ought to be re-inserted. God have Mercy.

Praise to the Lord, the Almighty, the King of creation!
O my soul, praise Him, for He is thy health and salvation!
All ye who hear, now to His temple draw near;
Praise Him in glad adoration.

Praise to the Lord, who over all things so wondrously reigneth,
Shelters thee under His wings, yea, so gently sustaineth!
Hast thou not seen how thy desires ever have been
Granted in what He ordaineth?

Praise to the Lord, who hath fearfully, wondrously, made thee;
Health hath vouchsafed and, when heedlessly falling, hath stayed thee.
What need or grief ever hath failed of relief?
Wings of His mercy did shade thee.

Praise to the Lord, who doth prosper thy work and defend thee;
Surely His goodness and mercy here daily attend thee.
Ponder anew what the Almighty can do,
If with His love He befriend thee.

Praise to the Lord, who, when tempests their warfare are waging,
Who, when the elements madly around thee are raging,
Biddeth them cease, turneth their fury to peace,
Whirlwinds and waters assuaging.

Praise to the Lord, who, when darkness of sin is abounding,
Who, when the godless do triumph, all virtue confounding,
Sheddeth His light, chaseth the horrors of night,
Saints with His mercy surrounding.

Praise to the Lord, O let all that is in me adore Him!
All that hath life and breath, come now with praises before Him.
Let the Amen sound from His people again,
Gladly for aye we adore Him.

Recorded on my iPhone at home.

42

I’ve been wanting to post here for awhile, and yet corralling my thoughts has not been easy.  I’m trying to learn how to put those perfectionistic tendencies aside and pull the trigger and post.  It’s better than not posting.

Now I gotta restring the guitar and head (schlep, always with the schlepping) to Grand Central station to take a train to Greenwich, CT where a dear person is lending me his car to drive to gigs in Gloucester, MA and Burlington, VT (thank you Dave!).  A quick trip which I’m really looking forward to.

Here’s something I posted on Facebook after a flood of well-wishes on my 42nd birthday May 3rd.

Thanks for checking in here.

Thanks for all the birthday wishes, everybody. 42 felt like a big one for some reason (I guess I have Douglas Adams to blame for that), as it becomes apparent that each year I am considered “young” by fewer and fewer people (evidenced by the young man on the street yesterday who, asking for a light, addressed me as “Papi.”) 

Yesterday I grabbed a CitiBike and rode over the Brooklyn bridge. I parked the bike and walked to the drugstore. 15 minutes later I realized that I had left my jacket in the little basket/doohickey of the bike and raced back to find a young woman rifling through the pockets (looking for an i.d., she said). She handed me my jacket, and, with a sideways Ellen Barkin smile, said “I woulda made off with it, but it isn’t my size.” I chose to believe she was kidding.

In addition to the lovely facebook greetings, I was feted in the evening by real friends, in actual time (and on Fri too). I had buttery mussels and mac and cheese. I didn’t smoke or drink anything harder than a Coke. I went to bed early and alone (save with a good friend and a dog in the house). 

Indeed, each year I have fewer and fewer vices in which to indulge. Still, I have those old persistent standbys: speeding, being late, not paying my taxes, fear, indolence, hopelessness, imbibing from my strange vanity/self-loathing cocktail, losing harmonicas, jackets, glasses, and Faith, and cussin’. I hope to kick each and every one of those habits eventually. (Except for cussin’. I’ll probably always cuss, because I need *something* to remind me that I used to be a rebel). Until those habits are kicked, I will lean on and draw strength from you, my large, far-flung constellation of amazing friends, asking for and hopefully extending grace in return. And I will keep on writin’ and singin’!!! (Also I need to find a manager). 

Thanks for being my friend and family, hope to see you soon,

<3   J

Veteran’s Day Roundup

I’ve been on a real World War Two kick lately, precipitated by an old NPR interview I heard with author Rick Atkinson on the sadly now-defunct “Talk of the Nation” (I miss you, Neal Conan).  Atkinson was talking about his then-new book, “An Army At Dawn,” which discusses the entry of the US Armed forces into World War II, and their deadly sandy slog through North Africa.  I bought it and read it.  Then I read the follow-up volume, “The Day of Battle,” which is about the US Forces’ deadly mountainous trudge up the spine of Italy.  After reading this book, and while awaiting the third volume in the so-called “liberation trilogy,” I realized that, typical American that I am, I didn’t know much about WWII before the Americans got there.  I knew even less about any of the events or political machinations that led up to the war.  Thus I looked for something that could educate me about the very beginning of the whole mess and found a charming little book called “August ’39: The Last Four Weeks of Peace,” by Stephen Howarth, which you can buy from Amazon for 80 cents. Howarth paints portraits of British, German, Russian, Polish, Italian, and French diplomats scurrying to and fro trying to prevent all hell from breaking loose in Europe (with the exception of the Germans and Italians, who were, with a few exceptions, going along with whatever Hitler wanted, which was to loose Hell on Europe as soon as possible).  It’s a fascinating read, although I could do without so many of Howarth’s portraits of “common folk” — fishermen, farmer’s daughters, mail carriers, and schoolboys, who are not as interesting to read about, as, say, Admiral Sir Reginald Plunkett-Ernle-Erle-Drax, who must have gotten exhausted introducing himself at parties, as this was before the days of those little white “Hello My Name is” stickers.

Here is an old 18-part radio documentary on WWII.  The music is ponderous and melodramatic but over all it’s really top-drawer stuff.  Good for a roadtrip or a walk by the river.

Lastly, I discovered an fascinating blog and a new obsession: WW2today.com, which reports the war “as it happened, 70 years after the event.”

Time magazine said of this site: “The news at Martin Cherrett’s blog is precisely seventy years out of date — because he’s covering World War II one day at a time, with posts rich in photos, documents and eyewitness accounts. It’s an addictive daily read, and a reminder that even most of us who know how the war turned out are sketchy on many of its details.”

That’s what I’m into lately, y’all.  Happy Veteran’s Day!

(I took some pictures today of some kids who were marching around wearing military uniforms, and of the red white and blue Empire State building, but I can’t find the little thingie that connects my camera to my laptop.  So I’ll add them later).

 

 

Quote

Marblehead, MA 5:41 a.m.

I woke up at 4:00 am today, which is a good thing, because I have to drive to Middlebury VT, about 4 hours away from where I played last night and am now (Marblehead, MA). I’m playing a couple of songs at the Memorial Baptist Church this morning.

I don’t like the adjective “perfect,” cause it’s lazy. “It was a perfect evening.” “The weather was perfect.” Those 2 statements don’t *tell* you anything. Rather you’re expected to read the mind of whoever says such things and assume you know what they think “perfect” means.

That said, the weather yesterday was perfect. The sun seemed like a late afternoon sun all day long, and I got to sit in it and watch the ocean with a friend. My hungry skin drank in all that sun and, staring at that ocean I used to write songs about but don’t anymore, I wondered why I ever left the North Shore. Why the hell would someone choose to live in NYC? (or Jersey City to put a finer point on it). Actually I can answer that, but it’s a good question nonetheless.

Last night I played my first solo show in a while. I missed all the folks I’ve been playing with lately. Toby, out in Ohio, Gerko, back in the Netherlands, and Paul, down in NYC, anticipating shoulder surgery. Paul played bass with me show before last, in NY, and it was fun and comfortable. Paul is a great musician and a super sweet guy. He’s one of those people who sees everything but doesn’t say a lot, so sometimes it’s hard to know what he’s thinking.  I wonder if there’s a great roiling sea of emotions underneath that amiable face.

Anyway, Paul messed up his shoulder falling off a motorcycle so, no Jason-Harrod-bass-playing, or any bass playing, for him for awhile (get better soon, Paul!) so i played last night solo.

And I wanna say more about that, but time is pressing and I must get in the car or drive, or else be late. “Time is a child-biting dog,” says the poet Charles Wright. ow. I can just feel my skin being nipped. nice job Charles, you earned your keep as a poet right there.

Interestingly, Wright describes time as a dog elsewhere. Here for instance:

“And time, black dog, will sniff you out,
and lick your lean cheeks,
And lie down beside you—warm, real close—and will not move.”

Hmm.  So which is it Charles? Is Time going to bite me or curl up beside me and keep me warm?  Make up your mind, man!

here’s another piece of loveliness from Charles Wright, from a 2009 collection called Sestets:

Sundown Blues

There are some things that can’t be conveyed—
description, for instance,
The sundown light on that dog hair lodge pole pine
and the dead branches of spruce trees.

They hold its brilliance close against them
For a tick or two
before it chameleons away. No one is able to describe this gold to bronze to charcoal, no one.
So move along, boy, just move along.

Unca Unca burnin’ love

When I was a kid I owned a small mountain of comic books. I was not a discriminating collector. My grandmother took me to yard sales where we’d buy tall stacks of yellowed, coverless magazines which I’d bring home and pore over while she sewed. Though my tastes were ecumenical, I found I preferred uncomplicated characters like Uncle Scrooge McDuck (who liked two things: money and adventure) to say, Spider-man (who didn’t really like anything, and was always in the middle of some existential crisis. Come on, Spidey, snap out of it!).

The best Uncle Scrooge and Donald Duck comics were written and drawn by Carl Barks, widely regarded as one of the greatest cartoonists of all-time, who labored for Disney in relative obscurity until the mid-1960’s, when he was slowly discovered, and fêted by, legions of Uncle Scrooge fans. At this point Barks started producing kitschy duck oil paintings that were not nearly as satisfying as the simple pen and ink originals on which they were based. Animation/comic historian Michael Barrier wrote this lovely essay on Carl Barks and Uncle Scrooge for the Wall Street Journal, who declined to publish it.

70spidey

Scrooge0002